What we do so our dancers work safely
Screening clients, transport on the border and the rule that stops a show. Why it is in the client's interest too.
Our safety rules look from the outside like restrictions on the client. In practice they are what makes a show good, and that is worth understanding.
What we ask and why
How many people, what kind of space, what the occasion is and who is booking. Those four questions sound routine and they also screen. A booking where the answers do not add up does not happen.
Contact in real time
On every show one of us is reachable by phone. The dancer is never alone in terms of backup, even when she is alone in the room.
Long journeys
To the Upper Galilee, the Golan, the lake and the border we drive her ourselves. A dancer does not drive an hour and a half at night to come back the same way at two in the morning. It costs us money and it is built into the price for those areas.
The rule that stops a show
The dancer may end a show at any point if the limits she set are crossed. She does not need permission, does not need to explain and does not need to argue.
Screening works both ways
We screen dancers too. Not everyone who approaches us joins, and that conversation includes limits and what she is and is not willing to do.
Why this is in your interest
A dancer who feels safe arrives relaxed and works freely. That is the difference between a good show and a mechanical one.
